Departures

Departures

Harry Turtledove

Описание

Harry Turtledove's "Departures" presents a collection of short stories spanning centuries, from the second century B.C. to a thousand years in the future. These stories, a blend of science fiction and fantasy, invite readers to contemplate alternative historical trajectories. The author's note emphasizes the unique perspectives offered by these genres, allowing for exploration of diverse ideas. The collection's opening story, "Counting Potsherds," delves into a counterfactual scenario where Greece fails to repel the Persian invasion. The narrative follows the journey of Mithredath, a eunuch, as he travels by ship to Greece. The story vividly portrays the sea voyage, the landscapes, and the encounters with other travelers, highlighting the beauty and strangeness of the world. The collection's diverse stories offer a unique blend of historical speculation and imaginative storytelling. The author's note provides context for the stories' creation and the ideas they explore.

<p>Harry Turtledove</p><empty-line></empty-line><p>DEPARTURES</p><p>TABLE OF CONTENTS</p>

Author’s Note

Counting Potsherds

Death in Vesunna (With Elaine O ‘Byrne)

Departures

Islands in the Sea

Not All Wolves

Clash of Arms

Pillar of Cloud, Pillar Of Fire

Report of The Special Committee On The Quality Of Life

Batboy

The Last Reunion

Designated Hitter

Gladly Wolde He Lerne

The Barbecue, The Movie, And Other Unfortunately Not So Relevant Material

In The Presence Of Mine Enemies

The R Strain

Lure

Secret Names

Les Mortes D’arthur

Last Favor

Nasty, Brutish, And…

<p>AUTHOR’S NOTE</p>

The stories in this book appear in chronological order, starting in the early second century B.C. and ending about a thousand years from now. Rather more are science fiction than fantasy; it’s hard to tell into which genre a couple of them can fall. They are intended to amuse and, with a little luck, to provoke thought. Some of the notes talk about how they came to be written, others about the ideas they examine. One of the things that makes science fiction and fantasy the exciting fields they are is that they let a writer look at ideas from angles impossible to achieve in other genres. I hope you enjoy these unusual angles.

<p>COUNTING POTSHERDS</p>

Our own civilization owes Greece in the fifth century B.C. so much: democracy, the drama, the liberation both of the examination of the natural world and of historical inquiry from the straitjacket of theology. But before these things could flower, Greece had to succeed in repelling the invasion of the Persian Empire, the mightiest state of the day. This she did, by a narrow margin. But suppose Greece had failed…

The ship clung close to land, like a roach scuttling along a wall. When at last the coast veered north and west, the ship conformed, steering oars squealing in their sockets and henna-dyed wool sail billowing as it filled with wind to push the vessel onto its new course.

When the ship changed direction, the eunuch Mithredath summoned the captain to the starboard rail with a slight nod. “We draw near, then, Agbaal?” Mithredath asked. His voice, a nameless tone between tenor and contralto, was cool, precise, and intelligent.

The Phoenician captain bowed low. The sun sparked off a silver hoop in his left ear.”My master, we do.” Agbaal pointed to the headland the ship had just rounded. “That is the Cape of Sounion. If the wind holds, we should be in Peiraieus by evening-a day early,” he added slyly.

‘“You will be rewarded if we are,” Mithredath promised. Agbaal, satisfied, bowed again and, after glancing at his important passenger for permission, went back to overseeing his crew.

Mithredath would have paid gold darics from his own purse to shorten the time he spent away from the royal court, but there was no need for that: he had come to this western backwater at the royal command and so could draw upon the treasury of Khsrish, King of Kings, as he required. Not for the first time, he vowed that he would not stint.

The day was brilliantly clear. Mithredath could see a long way. The only other ships visible were a couple of tiny fishing boats and a slow, wallowing vessel probably full of wheat from Egypt. Gulls mewed and squawked overhead.

Mithredath tried to imagine what the narrow, island-flecked sea had looked like during those great days four centuries before, when the first Khsrish, the Conqueror, had led his huge fleet to the triumph that had subjected the western Yauna to Persia once and for all. He could not; he was not used enough to ships to picture hordes of them all moving together like so many sheep in a herd on its way to the marketplace of Babylon.

That thought, he realized with a wry nod, showed him what he was most familiar with: the baking but oh so fertile plain between the Tigris and Euphrates. He also knew Ektabana well, the summer capital of the Kings of Kings, nestled in the shade of Mount Aurvant, though he had never suffered through a winter there. But until this journey he had never thought to travel on the sea.

Yet to his surprise Mithredath was finding a strange sort of beauty here. The water over which he sailed was a blue deep enough almost to be wine-purple, the sky another blue so different as to make him wonder how the same word could apply to both. The land rising steeply from sea to sky was by turns rocky and bare and shaggy with green-gray olive trees. The combination was peculiar but somehow, in its own way, harmonious.

True to his promise, Agbaal brought Mithredath to his destination with the sun still in the sky. True to his, the eunuch pressed a pair of goldpieces into the captain’s palm. Agbaal bowed almost double; his swarthy face glowed with pride when Mithredath offered him a cheek to kiss, as if the two of them were near in rank.

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